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stele (2011) [canti guerrieri ed amorosi III] for 5 voices and 5 instruments [S-A-CT-Bar-B; soprano-/baritone-saxophone, accordion, harpsichord/synthesizer, violin, violoncello] texts: gilgamesh-epic, Liao Yiwu, Friedrich Nietzsche, Franz Kafka premiere: Heidelberg, Sep 25, 2011 duration: 30 mins.  stele I (8:18 min.) stele II (7:46 min.)stele III (9:02 min.)stele IV (7:18 min.) download score excerpts and performance instructions [German]download stele essay [German] Einführungstext |
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gilgamesch szenen (2010) [canti guerrieri ed amorosi II] |
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telinga – mulut [ears – mouths] (2009) |
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passagen: transformation (2006) |
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passagen: durchscheinung (2005) |
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the wasteland of minds (2003/2004) for clarinet (A), sheng/xun, zheng, accordion, violin, violoncello and live-electronics premiere: Wien; Wiener Konzerthaus, Neuer Saal, January 24, 2004 duration: 13 min.
excerpt. ensemble on_line, Yeh
Jiuan-Reng, zheng, Wu Wei, sheng; Simeon Pironkoff, conductorStudio-Recording; 
aAmplify Studios Vienna; Jan 25, 2004
Einführungstext
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Speculum (2003) for four percussionists dedicated to the Schlagquartett Köln premiere: Cologne, December 18, 2003 d uration: 20 min.
excerpt; Schlagquartett Köln, Cologne, December 18, 2003
Einführungstext repercussion.camouflage.report (2003) (Rückprall.Tarnung.Bericht) for flute, trombone, sheng/xun, percussion and live-electronics premiere: Cologne, July 03, 2003 duration:15 min.
excerpt. ensemble on_line, Wu Wei, sheng; Simeon Pironkoff, conductor; Cologne
July 3, 2003 score excerpt
Einführungstext Wu 0 (2003) for sheng/xun, zheng/voice, E-guitar and Quarter-Tone Trumpet for Wu Wei, Xu Fengxia, Burkhard Stangl and Franz Hautzinger
excerpt.
Wu Wei, sheng; Xu Fengxia, zheng, Burkhard Stangl, E-guitar, Franz Hautzinger,
Quarter-Tone Trumpet; Vienna, April 1, 2003 |
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Zersplitterung [Fragmentation] (2002) for baritone, piano and glass-percussion dedicated to Martin Lindsay, Jong-Ah Yoon, Dirk Rothbrust premiere: Essen, 22.06.2002 duration: 16 min.
part 1 (3:37 min.) Martin Lindsay, baritone; Jong-Ah Yoon, piano; Dirk Rothbrust,
glass-percussionDuisburg, Earport, Rice&Bread, 22.06.2002
part 3 (3:56 min.) 
score excerpt
Einführungstext |
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Site [Basho] for gagaku-ensmeble and electronics (2001) for gagaku-ensemble (16 players) and live-electronics premiere: Akiyoshidai International Art Village, Akiyoshidai, Japan 10.03.2001 duration: 40 min.
part 1 (8:24 min.) Wakatake Gagaku Ensemble Yamaguchi, Christian Utz: live-electronics
Akiyoshidai International Art Village, 10.3.2001 
released on the CD SITE
programme note
programme noteInterference [jiao die sheng luan] für Klavier und 8 chinesische Instrumente (2001) for piano and 8 Chinese instruments dedicated to Wen-Tsien Hong and China Found Music Workshop Taipei premiere: Cologne, Deutschlandfunk, 12.4.2001 duration: 15 min.
part 2 (1:47 min.) China Found Music Workshop Taipei, Wen-Tsien Hong: piano;
Christian Utz: conductorCologne, Deutschlandfunk, 12.04.2001 
score excerpt
released on the CD SITE
programme note
EinführungstextUnsichtbares Theater für Ensemble und Live-Elektronik (2001) In cooperation with: Künstlerhaus Boswil for seven instruments and live-electronics fl, ob, bas, trb, vla, vc, pno dedicated to Klangforum Wien premiere: Basel, 21.11.2001 duration: 14 min.
part 1 (3:16 min.) Klangforum Wien, Ed Spanjaard: conductor, Christian Utz
and Wolfgang Musil: live-electronicsBasel, Europäischer Musikmonat, 21.11.2001
part 4 (2:51 min.) 
score excerpt
released on the CD BOSWIL
Einführungstexttogether // apart (2001/2006) for kayagum, taegum, saenghwang, violoncello, piano and electronics dedicated to the Contemporary Music Ensemble Seoul premiere: Wellington / NZ, February 10, 2007 duration: 14-16 min. programme
note |
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Abstrakte Reise [Chouxiang zhi you] (2000) for soprano, string quartet and tape dedicated to Anna-Maria Pammer and the Arditti-Quartet text: Christian Utz after Marco Polo, Joseph Conrad, Yang Lian und Laozi premiere: Hannover, EXPO 2000, 16.6.2000 duration: 21 min.
part 1: "Darkness" (5:18 min.) Arditti Quartet London, Anna Maria
Pammer: soprano, Rainer Stelzig: speaker (tape)Hannover, NDR, EXPO 2000, 16.06.2000
Intersection 3 (1:10 min.) 
score excerpt
released on the CD SITE
programme note
Einführungstext |
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kreise - yuan [Circles] (1998/1999/2001) Musik-Sprach-Konstellationen [music-language-constellations] Speaker (opt), Soprano, shakuhachi (opt), fl, viol, vla, vc, pipa, live-electronics (opt), tape konzept: Christian Utz, Christine Huber, Thea Brejzek texts: Yang Lian, Christine Huber, Bo Juyi I. Polymorphie (I-V), II. Inseln (1-7) premiere: Lana, 1.9.1999 duration: 15 - 35 min
Polymorphie III (3:10 min.) Varianti; Manfred Schreier, conductor: Angelika
Luz, soprano; Wang Ming, pipa; Tony Clark, shakuhachi speakers (Tape): Lenore
Steller, Alisa Pearson, Giwi Margwelaschwili, Yang LianStuttgart, Festival Éclat, 11.02.2001
Insel 2 (1:47 min.) 
score excerpt
released on the CD SITE
EinführungstextOuran yizhi / Koinzidenzen (1999) for 6 Chinese instruments xiao, sheng, erhu, pipa, zhong ruan, guzheng premiere: Taipei, 11.10.1999 duration: 11 min.
part 1 (5:32 min.) China Found Music Workshop Taipei, Wen-Tsien Hong, piano;
Christian Utz, conductor Vienna, ORF Radiokulturhaus, 22.10.1999
EinführungstextLichtung (1997-99) audiovisual installation for 2 monitors, speaker, 1 musician, 1997 VHS, 2 tapes à 45 min. 1st perf.: Vienna, 3.6.1997 2nd perf.: Mürzzuschlag, 30.4.1998 3rd perf.: Darmstadt, 8.4.1999
parts 1+2 (8:28 min.) produced at the institute of electroacoustics and
experimental music Vienna
released on the CD CONSERVED
(radiophonic verison)
programme note
Einführungstext éloignement (1995-1999) 3 simultaneous music performance pieces In cooperation with: Fortbildungszentrum für Neue Musik Lüneburg éloignement 26'58,8'' for flute [pic, fl, alto fl, bfl] and loudspeaker éloignement 34'30'' for piano and loudspeaker éloignement 36' for speaker and loudspeaker [éloignement x for humans and objects] premiere: éloignement6 (45'): Vienna 21.9.1996 premiere. of éloignement 26'58,8'' and éloignement 34'30'': Schreyahn 3.6.1999 premiere. of éloignement 36': Vienna 19.6.1999 duration: cf. titles
excerpt, éloignement 34'30'' (3:36 min.) Jan Czajkovski: piano, Christian
Utz: live-electronicsVienna, Alte Schmiede, 02.11.1999
programme note
Einführungstext |
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yao yao ti ti (1998) |
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Zum Beispiel Tantalos [Tantalos, for example] (1997) 8 Musik-Theater-Szenen im öffentlichen Raum [8 music-theatre-scenes in public space] text: Wolfgang Kindermann, stage director: Johannes C. Hoflehner 2 actors, 2 singers, 4 musicians fl, trp, viol, vc, tape, live-electronics premiere: Vienna 3.11.1997 duration: 80 min.
Aller Tage Abend (4:58 min.) Petra Jeup, Rainer Stelzig, peakers, Alisa
Pearson, Bartolo Musil, singers, Tantalos Ensemble; Christian Utz, conductorVienna, studio recording, 12.11.1997
Der Mieter (6:00 min.)
Einführungstextinterjectionen (1997) a commentary electronic music text: Christine Huber, Helmut Schranz premiere (4-channel verison): Vienna 30.4.1997 duration: 6 min.
part 1 (2:27 min.) Rainer Stelzig, speaker
Einführungstext
programme note
text (© Christine
Huber, Helmut Schranz) |
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die zelluloidleichen von Marrakesch (1996) music after William S. Burroughs for 2 musicians, voices and live-electronics text: William S. Burroughs premiere: Quedlinburg 8.6.1996, (viol, pno), Vienna 21.9.1996 (vc, pno) duration: 15 – 25 min.
excerpt (5:14 min.) developed in collaboration with Matthias Graf Michael Moser, violoncello, Christian Utz: piano, MAX-programming
Einführungstextmosaic (1996) music for 2 samplers and computer in five phases collaboration with Raino Rapottnig premiere: Vienna 21.9.1996 duration: 20 – 35 min.
part 1 (6:28 min.) in collaboration with Raino RapottnigRaino Rapottnig, ensonic-sampler Christian Utz, K2000, MAX-programming
Einführungstextcircle (1996) Spiel für 5 Musiker, 2 Dirigenten und Live-Elektronik
Einführungstextquarks (1996) 27 parts for piano, 1996 concert version of éloignement 34 '30'' for piano and loudspeaker premiere: Lüneburg 4.6.1999 duration: 18 min. Jan Czajkovski, piano (Lüneburg, 04.06.1999):
quarks 1 (0:45 min.)
quarks 3 (0:29 min.)
quarks 4 (0:39 min.)
quarks 5 (0:37 min.)
quarks 8 (0:38 min.)
quarks 12 (0:27 min.)
quarks 15 (0:36 min.)
quarks 20 (0:25 min.)
quarks 24 (0:19 min.)
quarks 25 (0:27 min.)
quarks 26 (0:40 min.)
quarks 27 (0:54 min.)
Einführungstexttime freeze, (1995/1996) electronic music text: Friedrich Hölderlin premiere (4-channel-version): Vienna, 21.9.1996 duration: 45 min.
excerpt (6:32 min.) produced at the institute of electroacoustics and experimental
music Vienna
programme note
Einführungstext |
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Lichtung [Glade] (1995) Music-Theatre after Christine Huber text: Christine Huber scenario: Johannes C. Hoflehner 3 actors, 8 musicians, live-electronics, 8-channel tape, slide projections, light design premiere: Vienna 22.03.1995 duration: 60 min.
parts 1+2 (8:28 min.) produced at the institute of electroacoustics and
experimental music Vienna
released on the CD CONSERVED
programme note
EinführungstextLichtung [Glade] Radiophonic Version (1995) text: Christine Huber 1st broadcast (Stereo-Version): Ö1, Zeit-Ton, 01.06.1996 premiere (8-channel version): Vienna 25.06.1995 premiere (Stereo-Version): Vienna 24.04.1996 duration: 24 min.
parts 1+2 (8:28 min.) produced at the institute of electroacoustics and
experimental music Vienna
released on the CD CONSERVED
programme note
EinführungstextLudwigologie. Ein Exzerpt (1995) Game for female singer, loudspeaker, pianist and Bösendorfer-computerpiano text: 60 short excerpts in different languages by various authors premiere: Karlsruhe, 15.05.1995 duration: 20 min.
final section (3:36 min.) Babette Dieterich, voiceJan Czajkovski: piano Christian Utz: computerpiano-programming
programme note
Einführungstext |
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Yes radiophonic Version (1994) text: James Joyce voices: Susa Paul, Bartolo Musil, instruments: Elisabeth Flunger, Hannes Löschel 1st broadcast: ORF-Kunstradio, 5.5.1994 duration: 37 min.
part 8 (4:59 min.) produced at the institute of electroacoustics and experimental
music Vienna
programme note
Einführungstext Das demaskierte Universum [The unmasked Universe] (1992-1994) Intermedial Music-Theatre after René Magritte texts: Friedrich Hölderlin, Stephane Mallarmé viol, vla, 2 perc, pno, conductor, dance, slide projections, video installation, light design premiere: Vienna 08.04.1994 duration: variable (15-45 min.)
part 5 (3:29 min.) Ensemble KlangArten, Thomas Dézsy, conductor
programme note
Einführungstext |
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Yes (1993) Scenic Monologue after James Joyce for actress, male singer, 2 instrumentalists, tape 2 slide projections, light design text: James Joyce premiere: Vienna 24.6.1993 duration: 40 min.
part 8 radiophonic Version (4:59 min.) produced at the institute of electroacoustics
and experimental music Vienna
programme note
Einführungstext |
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éloges (1992) Trois Invocations pour deux pianos premiere: Vienna 16.04.1993 duration: 18 min.
I final section (5:55 min.) Daniel N. Seel, Annemie Egri, pianosKarlsruhe, 15.4.1995
Einführungstext |
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...sans compter les temps morts (1991) pour ensemble de chambre fl, bfl, clar (a), bklar (b), perc, cel, 2 vla, 2 vc premiere: Vienna 19.03.1992 duration: 20 min.
part 1 (7:20 min.) Ensemble KlangArten, Thomas Dézsy, conductor |
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Chant pour un Équinoxe (1990) for full orchestra and mezzo-soprano text: Saint John Perse (4/3/3/2; 4/2/3/1; perc (3); 10/8/8/6/6) premiere: Vienna 30.4.1997 duration: 18 min.
excerpt (7:06 min.) ProArte Orchester Vienna, Ingrid Hofer: mezzo-soprano,
Kyrill Petrenko: conductor |
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